Claire Holleran/The Conversation
Ridley Scott’s Gladiator II features a scene in which a senator, seated at a pavement cafe in Rome, reads a printed newspaper. The moment has caused history buffs around the world to wince – the printing press wouldn’t be invented for another 1,200 years. But the film also depicts a much more authentic form of mass communication in the ancient city: writing on walls.
This includes not only the formal and well-planned inscriptions shown on buildings and triumphal arches, but the informal scratchings, painted notices and charcoal messages scribbled on the walls of the city.
The hero of the first Gladiator film, Maximus (played by Russell Crowe in 2000), has his name crudely carved onto his makeshift secret tomb in the Colosseum. Elsewhere his name has been erased from a list of gladiatorial victors in a parody of damnatio memoriae, the process by which the name and image of a person was removed from public inscriptions and buildings.
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